Read/skimmed through Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation by Ciane Fernandes this afternoon. Pretty academic but there are some interesting theories/interpretations, and the descriptions of Pina's dances are fascinating. Reading even a dry, precise description, I can clearly imagine the intensity of the performance. Some of the set-ups are so fruitful and dramatic. For instance, two male-female couples: One couple - the man tries to touch and dance with the woman and the woman wants to dance by herself, the other - the roles are reversed. To me, just that situation has so much spark to it.
Instructing couples to describe how they laugh while dancing together...
"But you must remain perfectly serious. I want to hear not how you laugh but how you laughed, how you used to laugh in the past. There is not very much to laugh nowadays... You don't have to tell us the reason, only how."
-Pina Bausch (pg 28)
Pina Bausch asks her dancers to describe how they cry...
"When I cry, I feel it in my throat; it gets big, and my breath sticks there. Later my head gets big, and if I try to speak, my voice is lower than usual. If someone is there, I try to laugh a bit. And when I see people I try to keep my face quite still and my throat too. Everything is closed, and the tears come down."
- Nazareth Panadero (pg 27)
"What I do - watch....Perhaps that's it. The only thing I did all the time was watching people. I have only seen human relations or I have tried to see them and talk about them. That's what I am interested in. I don't know anything more important."
- Pina Bausch (pg 50)